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Junyee uses objects that are available from his surroundings as materials for his installation art. After the onslaught of typhoons Milenyo and Reming, he gets the chance to create an artwork on the front lawn of the Cultural Center of the Philippines (CCP). He intended to use felled trees and branches from around the CCP complex but halfway through, impoverished people gathered these materials for firewood instead.

Junyee uses objects that are available from his surroundings as materials for his installation art. After the onslaught of typhoons Milenyo and Reming, he gets the chance to create an artwork on the front lawn of the Cultural Center of the Philippines (CCP). He intended to use felled trees and branches from around the CCP complex but halfway through, impoverished people gathered these materials for firewood instead.

Junyee uses objects that are available from his surroundings as materials for his installation art. After the onslaught of typhoons Milenyo and Reming, he gets the chance to create an artwork on the front lawn of the Cultural Center of the Philippines (CCP). He intended to use felled trees and branches from around the CCP complex but halfway through, impoverished people gathered these materials for firewood instead.